Available Works
All work is available through the artist unless otherwise listed.
For prices contact Rachel at:
402-591-1911
rachel.l.brownlee@gmail.com
402-591-1911
rachel.l.brownlee@gmail.com
Therefore do not be anxious about tomorrow, for tomorrow will be anxious for itself. Sufficient for the day is its own trouble. Matthew 6:24
Aesthetically, I love this piece for the calm it shows. Here is a working horse, a well trained horse as evidenced by the tack, and here he is, all dressed for work, but without a bridle and grazing hobbled. It is another image of working life seldom seen, the waiting part of work! It is a relatively small piece, but I still wanted to focus on the beautiful details in the horse's hair and the tack. The lighting is bright, but undefined. I barely used a brush on this piece which is a rarity for me now. In fact, I hardly blended the charcoal on this piece. So much of it was so specific that I just drew it on and left it with minimal layering. This piece was such a pleasure to do. |
The invisible, unwanted hours of the day, those before dawn usually, provide the foundation upon which much visible success is built. Hardworking people, in agriculture and otherwise, exert their efforts in the dark, using hours that many people don't even know exist or ever have intention to use.
|
R.E. Lamble and his horse Missy graced us with their presence at our branding again this year. Some people grow into the land and animals over their lifetime and they reflect the land; how it moves and acts. Their body language and movement reflects the softness, or hardness, of the land they've spent their life on. R.E. ropes gracefully and with fewer motions than most of the people around him. Missy doesn't waste a step. They are a team sculpted in time.
|
This saddle was built between 1914 and 1930 in Alliance, Nebraska by Newberry custom saddles. It was a custom piece commissioned by someone with the initials E.P.H., but that individual's identity is lost to history. My grandfather bought this saddle used, left it to my dad, and now is in use by my sister. Growing up it meant a lot to me because I thought it was so historical and so fancy. Neither of those may be the case, but it has served many generations faithfully and stands a symbol of truly living in a saddle.
Note the fencing pliers and fencing staple bag. This saddle was used daily for moving cattle, but also for fixing any broken fence along the way. |
One of my prayers for my artwork and my general life is that God would "establish the work of my hands" because so often we can work so hard at something and feel it slip between our fingers. So it is the same with ranching; a lifetime spent building for another generation. I encourage you to pray that God would let your work be established and not in vain.
"Let the favor of the Lord our God be upon us, and establish the work of our hands upon us; yes, establish the work of our hands!" Psalm 90:17 |
“Rise and Shine” depicts a young man and his horse, youthful in time, but skilled through experience. The sun is just rising on their lives, but they are “old hands” at their jobs. The focus of the piece is meant to be the man’s hands holding the rope with such practiced habit and his horse attentively awaiting his command.
|
This isn't a common style for my previous work, but I was so struck by our corral at sunset with the uneven posts reaching into the sky and the unsettling amount of curvature in the supposedly straight metal pole fence.
So many times in life, and in artwork we have a perception about something in our head and it isn't accurate to life. If asked to draw a corral I would draw a straight fence, perhaps curving with the land, but that would not account for time and animals wearing on the fence. |
Not every horse is considered attractive, but a storied life is beautiful. This piece celebrates the horses that have spent their life serving humanity in many ways. I love the different textures of hair on these two horses; all the way from downy soft, to wiry and hard. If you have ever pet an old Clydesdale you know the range of texture in your hand.
|